Technical Analysis of Current Rights Detection and AI-Induced Failure Modes
Hypothetical Framework — Prepared by Adservio Innovation Lab Olivier Vitrac (former Research Director, Université Paris-Saclay) For internal discussion — November 2025
This memo provides a technical analysis of music rights detection systems, focusing on acoustic fingerprinting, metadata propagation, and their failure modes under AI transformation. The analysis synthesizes publicly available research on Content ID, SACEM's detection mechanisms, and signal processing techniques. Specific implementation details of proprietary systems remain inferential.
Acoustic fingerprinting (popularized by Shazam, adopted by YouTube Content ID, Spotify, etc.) operates on the following principles:
Spectral Analysis: Convert audio waveform to frequency domain (via Short-Time Fourier Transform, STFT)
Feature Extraction: Identify peaks in spectrogram (frequency vs. time)
Hash Generation: Create compact "fingerprint" from peak constellation
Database Matching: Compare query fingerprint against reference database
Scoring: Return matches above threshold confidence
| Parameter | Typical Value | Robustness |
|---|---|---|
| Frequency range | 300 Hz – 5 kHz | High (captures melody, harmony) |
| Time resolution | ~10 ms frames | Medium (pitch shift degrades) |
| Noise tolerance | SNR > 10 dB | High (crowd noise, compression OK) |
| Compression tolerance | MP3 128 kbps+ | Very High (lossy codecs preserved) |
| Pitch shift tolerance | ±0.5 semitones | Low (beyond ±1 semitone, match rate drops) |
| Time stretch tolerance | ±5% | Low (beyond ±10%, failure common) |
SACEM does not operate its own fingerprinting infrastructure (unlike labels). Instead, it relies on:
ISWC (International Standard Musical Work Code): Unique ID for compositions
Publishers submit metadata: title, composers, lyricists, ownership splits
Platforms cross-reference metadata against SACEM's catalog
Strength: Works when metadata is intact (e.g., official Spotify uploads)
Weakness: Fails when:
Users rip files and strip ID3 tags
AI generates synthetic tracks (no ISWC assigned)
Platforms don't query SACEM database (non-EU platforms)
SACEM partners with platforms (YouTube, Spotify, Deezer) to receive usage reports:
Platforms use their own fingerprinting (Content ID, Spotify's Echo Nest)
Matches trigger reports to SACEM
SACEM cross-references against ISWC registry
Strength: Scales to billions of streams
Weakness:
SACEM depends on platform accuracy
If platform misses a match (AI remix), SACEM never sees it
SACEM uses third-party monitoring services (e.g., BMAT, Yacast) to detect broadcasts:
Audio surveillance of radio stations, TV channels
Fingerprinting + metadata extraction
Reports to SACEM for royalty distribution
Strength: Captures traditional broadcast (still ~25% of SACEM revenue)
Weakness: AI remixes on TikTok, YouTube Shorts bypass this entirely
Mechanism: AI (or manual tools) transpose audio by ±N semitones
Effect on Fingerprint:
Spectral peaks shift proportionally:
Hash constellation no longer matches reference
Content ID fails if
Example:
Original track: melody centered at 440 Hz (A4)
Pitch-shifted +3 semitones: melody at 523 Hz (C5)
Fingerprint hash: ABC123 → XYZ789 (no match)
Mitigation (Theoretical):
Use pitch-invariant features (e.g., chroma vectors, which collapse octaves)
Requires reprocessing entire reference database (expensive)
Mechanism: Change tempo without altering pitch (or vice versa)
Effect on Fingerprint:
Peak timings shift:
Hash constellation geometry breaks
Content ID fails if
Example:
Original track: 120 BPM
Time-stretched: 150 BPM (α = 1.25)
Fingerprint: timing-based hashes become invalid
Mitigation (Theoretical):
Use tempo-invariant features (e.g., beat-synchronized chroma)
Computationally expensive, rarely deployed
Mechanism: AI separates audio into stems (vocals, drums, bass, melody), then recombines selectively
Effect on Fingerprint:
Spectral balance completely altered
Peak constellation differs (e.g., vocals emphasized, drums removed)
Content ID may partial-match isolated stems, but full track fails
Example:
Original track: full band mix
AI remix: vocals from Track A + drums from Track B
Fingerprint: no single reference match (hybrid signal)
Mechanism: AI trained on corpus generates entirely new waveform
Effect on Fingerprint:
Zero spectral overlap with any single training track
Fingerprint is unique (by design)
Content ID: no match possible
Implication: Even if the melody resembles a SACEM-registered composition, acoustic fingerprint won't detect it
Detection Approach: Would require symbolic music analysis (melody contour matching), not acoustic fingerprinting
Most fingerprinting systems optimize for 300 Hz – 5 kHz (human speech + melody range):
Rationale: Captures perceptually salient features, robust to noise
Limitation: Ignores sub-bass (<100 Hz) and high-frequency transients (>10 kHz)
AI Exploit: Model could embed "signature" in sub-bass or ultrasonic range, invisible to Content ID
Standard fingerprints use magnitude spectrogram only (not phase):
Rationale: Phase is unstable under noise, compression
Limitation: Two signals with identical magnitude but different phase are perceptually different, yet have same fingerprint
AI Exploit: Phase manipulation (e.g., all-pass filters) can alter sound without changing fingerprint
Audio files carry metadata in:
ID3 tags (MP3): title, artist, album, ISRC
Vorbis comments (OGG, FLAC)
iTunes metadata (M4A/AAC)
SACEM Reliance: Platforms extract ISRC → cross-reference with SACEM catalog
| Scenario | Metadata Survival |
|---|---|
| User downloads from Spotify | High (ISRC intact) |
| User rips from YouTube | Medium (if uploader embedded ISRC) |
| User screen-records TikTok | Zero (no metadata in screen recording) |
| AI generates new track | Zero (synthetic, no ISRC) |
| User uploads to TikTok/Instagram | Low (platforms strip most tags) |
| Platform | ISRC Extraction | Fingerprinting | SACEM Reporting |
|---|---|---|---|
| Spotify | Yes (mandatory) | Yes (Echo Nest) | Yes (automatic) |
| YouTube | Optional | Yes (Content ID) | Yes (if matched) |
| TikTok | No (limited) | Yes (Commercial Music Library) | Partial (licensed catalog only) |
| Instagram Reels | No | Yes (Meta's system) | Unclear |
| SoundCloud | Optional (user-provided) | Limited | No (direct licensing) |
Implication: SACEM's coverage varies by platform, with TikTok/Instagram being high-risk zones for leakage
User workflow:
Download track from Spotify (ISRC intact)
Remix using AI tool (ISRC stripped)
Upload to TikTok (no fingerprint match)
TikTok video re-uploaded to YouTube (now twice-removed from original)
Current Detection: Each platform operates independently → no cross-platform tracking
SACEM's reach: Strong in EU, weak in US, Asia
US platforms (TikTok, YouTube) may not query SACEM database
Result: French composers lose royalties on US-based streams
| Transformation | Fingerprint Survival | Metadata Survival | SACEM Detection Probability |
|---|---|---|---|
| None (original) | 100% | 100% | ~95% (platform-dependent) |
| MP3 compression | 95%+ | 100% | ~95% |
| Pitch shift ±1 semitone | 60–80% | 100% | ~60% |
| Pitch shift ±3 semitones | 10–30% | 100% | ~20% |
| Time stretch ±10% | 20–40% | 100% | ~30% |
| Stem recombination | 5–15% | 0% | ~5% |
| AI style transfer | 0% | 0% | ~0%* |
| Generative synthesis | 0% | 0% | ~0%* |
*Assumes no symbolic melody matching is deployed
Hypothetical projection (2025–2030):
If AI-mediated music grows from 5% (2025) to 30% (2030), SACEM's detection rate could drop from 90% to 60% (hypothetical).
Backward compatibility: Changing fingerprint algorithm requires reprocessing billions of reference files
Computational cost: Pitch/tempo-invariant features are 10–100× more expensive
False positive risk: Broader matching increases collisions (unrelated tracks flagged)
Platforms: Prefer under-detection (fewer royalty payouts, fewer DMCA disputes)
SACEM: Wants over-detection, but lacks technical leverage over platforms
AI startups: Actively benefit from under-detection (users prefer "royalty-free" tools)
EU Article 17: Requires "best efforts" but doesn't define technical standards
AI Act: Focuses on high-risk applications (music generation is not classified as high-risk)
Result: No legal mandate for platforms to upgrade detection systems
To overcome current limitations, next-generation systems could explore:
Use phase coherence, group delay, or instantaneous frequency
Survives magnitude-only transformations (pitch shift, EQ)
Challenge: Computationally expensive, phase instability under compression
Hash based on psychoacoustic model (what humans perceive, not raw signal)
Survives lossy transformations (compression, pitch shift)
Challenge: Requires deep learning models (not yet standardized)
Extract melody contour (sequence of pitch intervals)
Compare against SACEM's composition database
Challenge: Requires music transcription (AI-powered, error-prone)
Embed cryptographic signature in audio (imperceptible)
Anchor hash on blockchain for tamper-proof provenance
Challenge: Requires embedding at creation time (not retroactive)
Current fingerprinting is narrow-band, magnitude-only, and fragile
Optimized for compression, not adversarial AI transformation
SACEM's hybrid model (declarative + automated) is under stress
Declarative fails when metadata is stripped
Automated fails when signals are transformed
Platforms have misaligned incentives
Under-detection reduces costs, legal exposure
No regulatory pressure to improve
AI transformations are designed to evade detection
Pitch shift, time stretch, stem swap all break fingerprints
Generative models produce zero-overlap signals
Revenue leakage is structural, not incidental
If 20% of music is AI-mediated by 2028, SACEM could lose €100–300M annually (hypothetical)
Incremental improvements to Content ID will not suffice. Vivendi must either:
Invest in next-generation detection (phase-domain, perceptual hashing, symbolic matching)
Advocate for regulatory mandates (AI Act amendments, Article 17 technical standards)
Build parallel traceability infrastructure (blockchain registries, watermarking at creation)
The following memos will explore:
Memo 4: Alternative traceability architectures (blockchain, watermarking, hybrid registries)
Memo 5: Strategic roadmap and pilot concepts for Vivendi
End of Memo 3 Prepared by Adservio Innovation Lab — Hypothetical Framework Contact: olivier.vitrac@adservio.fr